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Dr.
William Hartmann

Dr. William Hartmann, center, with a string
quartet wired for a new recording technique. From left are Takeshi
Abo, first violin; Karel Taulbee, second violin; Jan Wea Yoo,
viola; and Mary Williams, cello. |
In a talk presented
at the 2 November 1999 meeting of the Acoustical Society of America
in Columbus, OH, William Hartmann described and demonstrated a new
method of sound recording and reproduction called "Local Performance
Recording/Reproduction (LPR/R)." In his demonstration, he applied
the technique to a Mozart string quartet. In a fundamental departure
from traditional multichannel recording techniques, Hartmann isolated
each instrument on its own two channels of an eight-channel digital
recorder using two contact transducers per instrument.
He then experimented
with different mixes of the two channels and different speaker con
figurations for each instrument. With speaker radiation patterns
similar to the particular violin, viola, or cello, and placements
arranged as the musicians originally sat, the result sounds as if
a live quartet were playing---the room acoustics were those of the
listening environment and not those of the recording environment.
The LPR/R technique
requires a minimum of one recorded channel and one transducer in
the listening environment for each source in the ensemble. Application
to string quartets is a natural since technically it works well,
there is a vast and wonderful literature for string quartets, and
there are many performers and devoted fans of string quartets. Conventional
two-channel distribution of sound, via stereo broadcasting or compact
discs or tape, is inadequate for LPR/R. The LPR/R technique depends
on new technology (not far off) for multichannel distribution.
This talk was
reported in the New York Times on November 16 and the article is
available at website nytimes.com in the technology archive free
article section as "A New Dimension in Recorded Music" by James
Glanz. The November issue of Physics Today includes a related article
by Hartmann on the localization of sound by human listeners.
You can learn
more about Bill's research at http://www.pa.msu.edu/acoustics/
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